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HOT CHANGE

by Biscuit Mouth

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1.
Pig stain your bladder The rib cage in tatters Your mild stammer won’t matter or help The Captain’s praying for your health The Chaplain’s praying for himself and his sum Older, you’re not getting older it’s old Ken the Lampoon making trouble Bolder you’re making some awful insults Roll him over to see his soul He’s stoic anyway So he’s going anyway, that’s nothing new Visual learners always do Ken the Lampoon, Ken the Lampoon, Ken the Lampoon Ken the Lampoon in the backroom In a cagoule with a wingspan that can finger England He’s doing great are you? Dripping with grease, he violently eats An outrage to see, an unholy scene But he’s great with a mood It’s not bad but it’s crude It’s been Ken the Lampooned Hula Kenneth the Lampooner Scuba Hula hoop, hoop hula He's doing great are you? Ken the Lampoon, Ken the Lampoon, Ken the Lampoon Ken the Lampoon in the backroom Known or proved or Ken the Lampooned, that’s nothing new He’s doing great are you? To this carnival care to yourself laid bare In line for some kind of renaissance here
2.
Jiving Kabooki is, she is hopeful Her own satirist, she is hopeful I don’t mind she’s liquid dumb, an average shindig here Calls me ‘slut legs’ and drops out of the circle Undressed, bares chest, out by the stage door left Dog eyes a cat, knows itself by the throatful Weighs himself inside her thighs, this guy’s potent Blows off his fingers, so he can’t choke her Jiving Kabooki is, sporting sartorial composites A visual sputnik, wearing opposites When all in all, is all it is, or has been so far Natural naturalist, grab it by the skirt-full Laid bare, laid bare That’s enough, that’s plenty more than we can share That’s legs and arms detached from the act of making friends She made a mantra Repeated the judgement Manhandled it, dismantled it Channelled it and spat it out Channelled it and spat it out Branded it a cop out Hands it to your flophouse and block house Says, ‘slut legs you cartoon smut pig’ Learn well it’s not a question of being proud It’s just a lesson on how to dress well
3.
Daughters lined up broke in their fours and fives Brought to order folks, for a quarter of the price I’m so much older, you’re small at half my size Anyway anyhow, anyway anyhow … Do you Work round here? I’m picking flowers Do you Work round here? See you after hours Take your steel branded heels And brand my neck and neckerchief But in the back of my mind’s eye, I’m sure as salt that I’m the vengeful kind Anyway anyhow, anyway anyhow … And I say, I can’t believe what I did I squeal as I weave my shiv I’m doing cartwheels as I weave my shiv You’re something to be held Dirty water churning up against the helm Then you said something else You said, ‘for sure I wasn’t born for this Not myself, and tell me who is?’ And I fall head over heels for this She said ‘I’ve got a friend, where’s she at? Oh there she is!’
4.
A tall talker, in the corner Made his points known as an order not a view Made more from one vowel sound with his clown mouth And moved with exceptional magnitude As each excessive gesture ensued He spat acts of pure rapture That concluded with a match up for his stature Said he was an actor like none I’d seen His clown mouth said vowels Then we said vowels Then we fell about and passed out Said he spent some time unpaid Looking for an honest trade Said he’d seen a few Laid out his world view in seven days It made no sense, but his confidence made it stick Then he fell into his drink We passed him round, you gave him mouth to mouth He fell around, he fell around, he fell around He slept about, crept around, he mellowed out He leveled out, leveled out, leveled, out In his sewn Made to make much more of what he owned Was an aqua blue picture A solitary picture A momentary picture It said ‘I’m aware, I’m aware’ He’s aqua blue, I’m aqua blue, he’s aqua bluer If it’s right its true, it must be a view to a sooner end Time will see my ruin Gliding thin like a wheel on a velvet chin I’ll keep my eye on the few and Think myself better than you and Take my minds acumen Hit you right square in the blue and In this state I’m in All the more to take one more and take to drink I’m alive, I’m alive, it’s a blessing, if it’s true I’m still human
5.
Out here I like it fine I’m kind, pure of mind In my liquid tin Who’s in the loop out here? I’m Cool Uncle Scuba Steve Cool Uncle Skuba … Inside a fish tank Cast west by oceans breath But under liquid sun I’m someone Scuba Who’s in the loop out here? King of the aqueous By the lunar, I move to stand still I’m in tune with it I caught a bad fish Keith All teeth it clings to me Been getting into it Living in fancy dress
6.
Horse Story 01:50
Made my mind We’ll take time For the great design The colder clime Survive equine Take our rest On great spots of earth Metabolism quickens and so does hers Equine Take time to make time When we lie with swine, it’s alright, we lie equine I set my feelings clear Live in the atmosphere Breath the air Don’t be put off by my uniform I can breathe the divine as I have done before If you’ve got your own mind Be around for showtime
7.
Get off your head Get off your legs We’ll have a time Drink that dry If you don’t mind It ain’t to smart But I’ve got to say You’ve got a way It’s new you say But I’ve got my reservations But she asks the questions This isn’t bad, this isn’t good this is underwhelmed I’m not a hack, I’m not a hack cause I like foreign films I’m all or nothing else, born to play myself, what do you sow glow legs? Lull the crowd Sus them out … But she asks the questions ‘Who likes a scrawny queen, awkward with a forward lean? Bloated cheeks of tangerine orange, pinko red and chimney green?’ I’ve got my reservations, but she asks the questions ‘This isn’t bad, this isn’t good, this is underwhelmed I’m not a hack, I’m not a hack cause I like foreign films If all in all, is all it is, it should be something else What do you sow crow legs? What do you sow four legs? What makes you so sure you’re it? Who likes a scrawny queen, a so-so scene? Who likes a thighbone, so small it falls into the seam?’ I say things like fish have feelings to, I’m not sure what it means A good sign, standing fine and brought her own waistcoat I never said this was a formal occasion She got it right, first time without my say so But she asks the questions, she asks the questions … I don’t know why I asked She’s up there watching A proctor on a structure I can’t leave Shaking amber red to rupture, when she shakes her sculpture, in thigh defining sheets Comes to make fun of my beliefs She said, ‘I’ve got to get one They look like fun, I’ve got to get one’ She wakes me every dawn Says this and more Says ‘you slept through my contortions and as I stretched you out of all proportion You slept You slept’
8.
Calm down If it’s something that can’t be helped I’m in turquoise, if at all, if I am myself It’s not holding back Holding back, yeah I swear Holding back Holding back, yeah I swear Far out or taking it extremely I see hundreds and hundreds of others And I’m made to wonder I’m made to wonder So I wonder So I wonder I’m failing eyesight I zapped that cold Not bad in hindsight I’m on form top drawer I’m on form top drawer I’m on form top drawer Super champ, super … A stupid stupor Poetically I'm dull, fairly dull I’m incensed then I’m not very much I’m not rattled, not right on I’m not rattled, not right on I’m on form top drawer, good one I’m on form top drawer, good one I’m on form top drawer and so on And so on ... What I got here going on It’s not bad for what it’s worth
9.
Ten 01:16

about

Recorded at Dubrek Studios by Jay Dean
Mastered at Subsequent Mastering by Joe Caithness
Artwork by Margaret Kenny

Voice and drums - Tim
Buitar and sax - Sean

credits

released January 16, 2017

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Biscuit Mouth Derby, UK

General noisemakers. Two pieces of.


contact biscuitmouth100@gmail.com

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